She
smiles each time when she opens the door and sees that it is me returning from
work. She smiles like she has not seen me in a long time and then she sort of
tilts her head and bends one knee almost in a strange half-curtsy. I find that
I have come to anticipate it - the smile and the wonderfully awkward
half-curtsy - so that it taps the reward center of my brain to produce a shot of
dopamine each time. It makes coming home to her an even finer thing.
‘I’m
not well,’ I say to her on this day and her lovely wide smile quickly turns to
concern.
I
have been out of work all week and this is my first day back and I feel awful.
‘My
throat is bad,’ I say as I come in and put down my messenger bag.
‘You
probably need antibiotics,’ she said. ‘Let’s go to the hospital now.’
‘No,’
I say stubbornly.
‘Come
on,’ she urges.
‘Let’s
go tomorrow morning during work hours,’ I say. ‘I’m sick because of the
apartment that they put us in!’
I
know how I sound and I feel lousy about myself for sounding that way and for
feeling the way I sound, but I made a good contribution at work today and now
the chip is on my shoulder when I think about the mistreatment that I have
received.
Jess
urges again that we go to the hospital but I am a stubborn baby just now.
We
eat and it hurts to swallow so that I am twice as slow as the absurdly slow
eater that I normally am. Then we get into bed - actually we had eaten in bed
because there is no table or chairs in our hotel room and we do not want to eat
in the common area. Later, at night, we put the lights out and I lay there and
I feel bad. The adrenaline from the activity of the day abandons me and I feel
my sore throat close and breathing becomes difficult.
‘Jess,’
I say into the darkness, knowing that she is still awake because neither of us
have learned to sleep sound or well here yet.
‘Yes?’
she says from beside me.
‘I
think I need to go to the hospital.’
We walk the five blocks to the John F Kennedy
Hospital because I will not let Jess call for a car-taxi and I refuse to ride
on the back of a motorcycle-taxi. Also, I feel that the walking builds the
adrenaline up in my system so that I do not feel so bad as when I lay in bed
shallowly breathing. The security guards stop us at the gate but they let us
through when Jessica explains why we have come.
‘Do
they think we are here to steal something?’ I say because I feel bad and I
forget that it does not make me feel better to spit venom at others.
‘Look
at this field in front of the hospital,’ I say. ‘I could die here and no one
would find me until the rain washes my decayed, MOLDY corpse to the street.’
‘Come
on, Negative Nancy,’ Jess says.
Earlier
in the day I called myself a ‘Negative Nancy’ because I got into a foul mood
talking about the moldy apartment that has made me sick. Jess likes the label
and now she is calling me ‘Negative Nancy’ intermittently as we walk to the
emergency department.
‘If
I die,’ I say, ‘you tell my mother that I died bravely. No whimpering or
sniveling, ok?’
‘OK,
Negative Nancy. Hang on. We’re almost there.’
‘On
second thought, I’m feeling a lot better,’ I say as we approach the dreadful
looking reception room of the emergency department. ‘I think we should go home
and we’ll visit the SOS clinic in the morning.’
‘Come
on. We’re already here, Negative Nancy,’ she says.
Then
she tries to think what would be the opposite label so that she can be more
encouraging.
‘Don’t
be a Negative Nancy,’ she says. ‘Be a Positive Pauliana.’
‘Pauliana?’
I say. ‘Positive Peter or Pauline would be better.’
‘I
like Pauliana,’ Jess says and then she says, ‘Be a Positive Pauliana,’ again as
though to make it stick.
On the wall beside the entrance is a plaque that
says Emergency Department and the door is open to the night air. The reception
area is lit by a compact florescent bulb that hangs naked from the ceiling.
The walls are bare except where printed papers with poorly written instructions
hang by scotch tape.
![]() |
| 'US$10 (ten dollars) charge for the pronouncement of death' |
‘That
one says it is 10 dollars if you come here to die,’ Jess whispers as we
enter. She is referencing the processing fee for delivering a dead body to the
Emergency Department.
Cobwebs,
dust, and mold fill where the walls meet the ceiling and along the exposed rafters and unused light fixtures. There are two boys behind the reception desk and
Jess goes over to register me. I sit in a plastic chair beside a pregnant young
woman whose mother comes in shortly with the 700 Liberian dollars to pay the
registration fee. After the mother pays, the nurse wraps the girl's arm to take her
blood pressure and then the young boy who is a nurse’s assistant takes her to
an examination room.
‘What
is your problem?’ the nurse asks me.
‘My
throat is infected,’ I say.
The
nurse looks at me and sighs. I feel sick and put out but I think about not spitting venom. ‘She won’t kiss me when my throat is infected,’ I say, gesturing to
Jessica who has come to sit beside me after paying the registration fee.
The
nurse smiles as though for the first time tonight and I feel proud of myself
for not spitting venom back at her. Then the nurse directs the boy to take my
blood pressure. I am 120 over 70.
‘He
will take you for the tests,’ the nurse says.
‘What
tests?’ I ask.
‘Blood
and urine,’ she says.
![]() |
| The face of patient care |
‘I
have a throat infection,’ I say, ‘Can we do a throat swab instead?’
‘No,’
she says.
I
get up to follow the boy.
‘Do
you want me to come, love?’ Jess says.
‘Fuck
yes I do. Don’t you leave me here,’ I say threateningly.
We
follow the boy through a series of poorly lit hallways where the smell of mold
and filth is heavy in the air. As we walk, the boy tries to solicit a job from
me.
‘You
see, we must work for 12 hours at a time so there is no time to study,’ he says.
‘Maybe your company has a job for me. It’s OK if your company does not work in
health,’ he continues as though anticipating my response. ‘I can do any job. It’s
just so I can study, you see. I will get your mobile number before you go.’
We
wait outside the laboratory for twenty minutes and then I am called in. Another
young boy who wears a lab coat pricks my finger and smears the blood on a
microscope slate. Then he hands me a cup and the other boy leads me back
through the corridors to a bathroom by the reception area where I fill the cup
and then we walk back to the laboratory.
When
we return, Jess is trying to take pictures indiscreetly but her iPhone lacks a
flash and it is too dark here to take a picture without one.
‘I
peed in a cup,’ I tell her.
‘Good
for you, love,’ she says in mock condescension.
![]() |
| The Emergency Department pharmacy is behind the bars |
Then
the boy leads us back to the reception to wait for the test results. Now a man in a coat has come to the
reception area. He is writing in the patient charts. He might be a doctor or he
might be anything else. There are two nurses now and they are discussing my
symptoms. There are another pregnant young lady in the reception area now or
maybe it is the same pregnant young lady as before but I am not paying
attention. When my test results come after 40 minutes, the man in the white coat reviews them.
Aloud but not to me he says, ‘Negative for malaria. High white blood count.’
‘I’m
not well,’ I say to Jess because there is only us there as there is only us everywhere we go together.
‘You
have an infection, Negative Nancy,’ Jess says.
The
man in the white coat writes me a prescription for Cipro and an antihistamine
and throat lozenges. The hospital pharmacy is closed and the Emergency
Department pharmacy, which is a nook enclosed by metal bars in the hallway
beside the reception area, does not have the prescribed items.
‘The
pharmacy across the street will have it,’ the pharmacist behind the metal prison bars says,
handing the prescription back to Jess. ‘Lucky Pharmacy is the one on the corner.’
‘You know, I've read studies that found that more than half the drugs in Africa are counterfeit,’ I say.
‘Come
on, Negative Nancy. Let’s get your counterfeit drugs,’ Jess says.




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